To the extent that “Tash Al-Awda” shed light on the state of chaos and opportunism in the world of “social communication” by exporting the frivolous and adopting their presence in the media scene, it also raised a broad question for many: How did you see the sample of celebrities and those behind them with support who are wrapped in this clothes of media and culture? episode, and did they understand its purposes and message..
The Tash team, led by Nasser Al-Qasabi and the audacity of writer Amani Al-Sulaimi, put through this episode the world of “social media” on the morgue of truth, dropping the masks behind which what the episode described as “famous vanity” and “fashionistas” and others, and turned the stage lighting towards a group of those affiliated with culture. Art and the media have abandoned their principles to beautify their presence and earn money from their content, throwing them unconsciously in the face of divergent reactions, and what is worse than that is their justification for “insignificance” and making it a method for the content and entrenching it in the minds in a shameful manner.
Tweeters representing different spectrums of society interacted with the episode, and writer Hashim Al-Jahdali said, “Tonight’s episode opened all wounds and revealed most of what is currently hidden about the reality of the press. The disaster was presented to us without falsification, and whoever can take the initiative to solve it.
While the journalist Musaed Al-Khamis said, "An episode that must be taken into account," and colleague Samir Al-Siyali said, "Today's episode of #Tash_al-Awda" is a great abbreviation for the banality society that dominates the scene in social media. Perhaps the treatment begins from here.
Okaz (Jeddah)